Lesson Learned: Mind the Squintiness Redux

In a previous post I mentioned a way to mitigate squintiness on a sunny day:

3. Take a wide shot where they appear small in the photo. Since their faces are small relative to the overall size of the frame, their squintiness is not as noticeable.

I was going to write solely about how I applied this rule to my shot of Amy above when I realized that she came up with another way of handling the squintiness issue: she wore sunglasses! Wearing sunglasses is not always the best solution, because the subject's eyes are hidden which typically makes for a less compelling image. But used in the right situation it can be a viable option when the sun is blazing. You can see the rest of my photos from Ocean Beach here.

Bringing Out Color

Sometimes things pop out at me as I'm taking a stroll. Often a bold color will hit me. Unfortunately my photos rarely convey the pop the way I remember it. This is where a little post-processing comes in handy. If you have Lightroom, it's very easy to make a color pop. Go to the Develop module and scroll down to the Color panel. You can see a row of color pips (little boxes) of different colors. By selecting a pip, you can adjust its hue, saturation, and/or luminance. My case was simple: I just wanted to bump up the yellows, so I selected the yellow pip and increased the saturation. Other photo editing tools like Photoshop will have different ways to accomplish this and may offer more granularity (you can choose more colors than the eight offered by Lightroom), but I hope you get the general idea. If I got the facts wrong please let me know in the comments section! Here's the original photograph: Besides bumping up the yellow, I also increased the exposure, and cropped the photo a little bit. Next time you need a little extra excitement in your photos, give this a try!

Capturing Some Color

I had some spare time after work last month (this rarely happens), so I took a stroll across Chinatown, boarded BART, and finally ended up in the Mission District. My goal was to capture some of the awesome colors that help give San Francisco it's unique character.

Tilt-Shift Miniature From My Aunt's Condo

I haven't created a tilt-shift miniature in months, so when I stood at my aunt's balcony overlooking Chinatown in San Francisco, I couldn't help but snap a shot of the busy scene 10+ stories below. The scene was perfect for the tilt-shift miniature treatment because it was colorful and everything look small and toy-like. I'd like to go back to her place soon and do a better job! I'm a bit rusty. Here's the post from my first attempt at creating tilt-shift miniatures (along with a link on how to do it yourself). Have fun!

Lesson Learned: Mind the Squintiness

Recently I took more save-the-date photos for my friends Burgess and Judy. This time we took it out of the living room and into the real world. The really bright real world! The high afternoon sun cast harsh shadows, and worse, it caused Burgess and Judy to squint. To avoid this problem in the future, here are some possible solutions: 1. Move them to a shadier spot. 2. Have them do something ridiculous, so that the squintiness doesn't matter. 3. Take a wide shot where they appear small in the photo. Since their faces are small relative to the overall size of the frame, their squintiness is not as noticeable. 4. Bring the shade to them. That's one reason I bought a collapsible translucent disk. I haven't tried it out yet, but I have high hopes that it will help minimize the squintiness. The downside is I need someone to hold it above my subjects, or set up a stand and make sure that it doesn't topple over. Another problem is that while the disk will shield my subjects from direct sunlight, it won't shield them from light bouncing off the ground and nearby walls. 5. Shoot around sunrise or around sunset. Sunrise? Forget about it, too early! Sunset? It's possible, but depends on everyone's schedule.

Eight Minute Exposure!!!

That's right, I made an eight minute exposure while doing some night shooting with my nocturnal pal Brian. What's the point of this post? If I'm going to wait 16 minutes (8 min exposure + 8 min noise reduction) standing on a cold beach at Half Moon Bay waiting for one shot, for the love of God, please make the horizon level. Actually, I kind of like the effect in this case... You can see the rest of the photos here.

Just Shoot

About a month ago I was feeling a bit blah about my photographs. I didn't feel like I was improving with each shoot. I needed to switch things up a bit. I wanted to shoot more, but think less. I was becoming so focused on all the little dials on my camera that I was losing sight of the big picture (pun intended). I decided to take more pictures without fretting too much over the details. I created a set called "10 a day" and wrote this in the set description: "On Friday March 13, 2009, I hereby commit to taking and posting at least 10 photos everyday. It's a great way to shake loose the cobwebs." Though I carried my big DSLR everywhere, it usually stayed locked up in my shoulder bag. I only pulled it out for "important" shots, so I told myself that I needed to take 10 photos a day with any photographic device. It turn out that my iPhone filled the role perfectly. It's small and always near at hand. It's simple and "thoughtless" because there are no dials, just point and shoot. With this newfound freedom, I decided to focus more on my composition. Specifically I wanted to compose my shots in totally new ways, such as focusing on the negative space.

I only have 78 photos so far and it's been nearly a month, so I haven't come close to my goal of taking 10 photos everyday, but this exercise has been fun. It's helped me look at things a bit differently. You can follow my progress here.